Palmistry For All

Palmistry For All – Cheiro

Cassian was one of the first and most prominent of the Semi-Pelagians, maintaining that while man is by nature sinful, he yet has some good remaining in him, and that, while the immediate gift of God’s grace is necessary to salvation, conversion may also be begun by the exercise of man’s will. He further asserted that God is always willing to bestow his grace on all who seek it, though, at the same time, it is true that he sometimes bestows it without its being sought. These views have been held by a very large part of the church from his time, and embrace much of the essence of Arminianism. The style of Cassianus is slovenly, and shows no literary polish, but its direct simplicity is far superior to the rhetorical affectations which disfigure most of the writings of that age. At the request of Castor, bishop of Apt, he wrote two monumental and influential treatises on the monastic life. The De Institutione Coenobiorum (twelve books) describes the dress, the food, the devotional exercises, the discipline and the special spiritual dangers of monastic life in the East (gluttony, unchastity, avarice, anger, gloom, apathy, vanity and pride). The Collationes Patrum, a series of dialogues with the pious fathers of Egypt, deal with the way in which these dangers (and others, e.g. demons) may be avoided or overcome. At the desire of Leo (then archdeacon of Rome) he wrote against Nestorius his De Incarnatione Domini in seven books.

Palmistry For All

Palmistry For All

Format: Paperback.

Palmistry For All.

ISBN: 9783849676605.

Available at amazon.com and other venues.

 

Importance of hand shape in palmistry (from wikipedia)

Depending on the type of palmistry practiced, and the type of reading being performed, palmists may look at various qualities of the hand, including the shapes and lines of the palm and fingers; the color and texture of the skin and fingernails; the relative sizes of the palm and fingers; the prominence of the knuckles; and numerous other attributes of the hands.

In most schools of palmistry, hand shapes are divided into four or eleven major types, sometimes corresponding to the classical elements or temperaments. Hand shape is believed to indicate character traits corresponding to the type indicated (i.e., a “Fire hand” would exhibit high energy, creativity, short temper, ambition, etc. – all qualities believed to be related to the classical element of Fire).

Although variations abound, the most common classifications used by modern palmists:

Earth hands are generally identified by broad, square palms and fingers, thick or coarse skin, and ruddy color. The length of the palm from wrist to the bottom of the fingers is usually equal to the length of the fingers.
Air hands exhibit square or rectangular palms with long fingers and sometimes protruding knuckles, low-set thumbs, and often dry skin. The length of the palm from wrist to the bottom of the fingers is usually equal to the length of the fingers.
Water hands are seeable by the long, sometimes oval-shaped palm, with long, flexible, conical fingers. The length of the palm from wrist to the bottom of the fingers is usually less than the width across the widest part of the palm, and usually equal to the length of the fingers.
Fire hands are characterized by a square or rectangular palm, flushed or pink skin, and shorter fingers. The length of the palm from wrist to the bottom of the fingers is usually greater than the length of the fingers.
The number and quality of lines can also be included in the hand shape analysis; in some traditions of palmistry, Earth and Water hands tend to have fewer, deeper lines, while Air and Fire hands are more likely to show more lines with less clear definition.

 

(The text of the last section was taken from a Wikipedia entry and is available under the the Creative Commons Attribution-ShareAlike License.)

 

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