The Praise of Folly

The Praise of Folly – Desiderius Erasmus

Erasmus reached England after a stay in Italy early in the summer of 1510. Soon afterwards, in Thomas More’s house at Bucklersbury, he rapidly wrote his famous satire, the Encomium Moriae, or “Praise of Folly,” in which Folly celebrates her own praises as the great source of human pleasures. He had been meditating this piece on the long journey from Rome; it is a kaleidoscope of his experiences in Italy, and of earlier memories. As to the title, Moria, the Greek word for “folly,” was a playful allusion, of course, to the name of his wise and witty host. This “Praise of Folly” is a satire, not only in the modern but in the original sense of that word,—a medley. All classes, all callings, are sportively viewed on the weak side. But in relation to the author’s own life and times, the most important topics are the various abuses in the Church, the pedantries of the school-men, and the selfish wars of kings. If this eloquent Folly, as Erasmus presents her, most often wears the mocking smile of Lucian or Voltaire, there are moments also when she wields the terrible lash of Juvenal or of Swift. The popularity of the satire, throughout Europe, was boundless. The mask of jest which it wore was its safeguard; how undignified, how absurd it would have been for a Pope or a King to care what was said by Folly! And, just for that reason, the Encomium Moriae must be reckoned among the forces which prepared the Reformation.

The Praise of Folly

The Praise of Folly.

Format: eBook.

The Praise of Folly.

ISBN: 9783849653828.

 

Excerpt from the text:

 

At what rate soever the world talks of me (for I am not ignorant what an ill report Folly has got, even among the most foolish), yet that I am that she, that only she, whose deity recreates both gods and men, even this is a sufficient argument, that I no sooner stepped up to speak to this full assembly than all your faces put on a kind of new and unwonted pleasantness.

So suddenly have you cleared your brows, and with so frolic and hearty a laughter given me your applause, that in truth as many of you as I behold on every side of me seem to me no less than Homer’s gods drunk with nectar and nepenthe; whereas before, you sat as lumpish and pensive as if you had come from consulting an oracle. And as it usually happens when the sun begins to show his beams, or when after a sharp winter the spring breathes afresh on the earth, all things immediately get a new face, new color, and recover as it were a certain kind of youth again: in like manner, by but beholding me you have in an instant gotten another kind of countenance; and so what the otherwise great rhetoricians with their tedious and long-studied orations can hardly effect, to wit, to remove the trouble of the mind, I have done it at once with my single look.

But if you ask me why I appear before you in this strange dress, be pleased to lend me your ears, and I’ll tell you; not those ears, I mean, you carry to church, but abroad with you, such as you are wont to prick up to jugglers, fools, and buffoons, and such as our friend Midas once gave to Pan. For I am disposed awhile to play the sophist with you; not of their sort who nowadays boozle young men’s heads with certain empty notions and curious trifles, yet teach them nothing but a more than womanish obstinacy of scolding: but I’ll imitate those ancients who, that they might the better avoid that infamous appellation of sophi or wise, chose rather to be called sophists. Their business was to celebrate the praises of the gods and valiant men.

And the like encomium shall you hear from me, but neither of Hercules nor Solon, but my own dear self, that is to say, Folly. Nor do I esteem a rush that call it a foolish and insolent thing to praise one’s self. Be it as foolish as they would make it, so they confess it proper: and what can be more than that Folly be her own trumpet? For who can set me out better than myself, unless perhaps I could be better known to another than to myself? Though yet I think it somewhat more modest than the general practice of our nobles and wise men who, throwing away all shame, hire some flattering orator or lying poet from whose mouth they may hear their praises, that is to say, mere lies; and yet, composing themselves with a seeming modesty, spread out their peacock’s plumes and erect their crests, while this impudent flatterer equals a man of nothing to the gods and proposes him as an absolute pattern of all virtue that’s wholly a stranger to it, sets out a pitiful jay in other’s feathers, washes the blackamoor white, and lastly swells a gnat to an elephant. In short, I will follow that old proverb that says, “He may lawfully praise himself that lives far from neighbors.”

Though, by the way, I cannot but wonder at the ingratitude, shall I say, or negligence of men who, notwithstanding they honor me in the first place and are willing enough to confess my bounty, yet not one of them for these so many ages has there been who in some thankful oration has set out the praises of Folly; when yet there has not wanted them whose elaborate endeavors have extolled tyrants, agues, flies, baldness, and such other pests of nature, to their own loss of both time and sleep. And now you shall hear from me a plain extemporary speech, but so much the truer. Nor would I have you think it like the rest of orators, made for the ostentation of wit; for these, as you know, when they have been beating their heads some thirty years about an oration and at last perhaps produce somewhat that was never their own, shall yet swear they composed it in three days, and that too for diversion: whereas I ever liked it best to speak whatever came first out.

But let none of you expect from me that after the manner of rhetoricians I should go about to define what I am, much less use any division; for I hold it equally unlucky to circumscribe her whose deity is universal, or make the least division in that worship about which everything is so generally agreed. Or to what purpose, think you, should I describe myself when I am here present before you, and you behold me speaking? For I am, as you see, that true and only giver of wealth whom the Greeks call “Moria”, the Latins “Stultitia”, and our plain English “Folly”. Or what need was there to have said so much, as if my very looks were not sufficient to inform you who I am? Or as if any man, mistaking me for wisdom, could not at first sight convince himself by my face the true index of my mind? I am no counterfeit, nor do I carry one thing in my looks and another in my breast. No, I am in every respect so like myself that neither can they dissemble me who arrogate to themselves the appearance and title of wise men and walk like asses in scarlet hoods, though after all their hypocrisy Midas’ ears will discover their master. A most ungrateful generation of men that, when they are wholly given up to my party, are yet publicly ashamed of the name, as taking it for a reproach; for which cause, since in truth they are morotatoi, fools, and yet would appear to the world to be wise men and Thales, we’ll even call them “morosophous”, wise fools.

….

Dieser Beitrag wurde unter Philosophy & Politics (English), Renaissance veröffentlicht. Setze ein Lesezeichen auf den Permalink.

Schreibe einen Kommentar

Deine E-Mail-Adresse wird nicht veröffentlicht.